![]() A plan with just basic shapes like squares and rectangles would be easier on the eyes and brain. I understand that you're using the software for the first time, but this is hard on the eyes. Not trying to tear you apart, but I think it's worth spending the time to get this right. So long as the results are good, you don't need to know or care if the Aux send is at +6 and all the channel sends are low, or if they've cranked the channel sends and have the Aux send at -20.Īdvice like aiming for a balanced mix that you guys will then alter with your playing dynamics is far more useful - it'd mean to me as an engineer that you guys have practiced playing as a group and you all know how to let one person solo while the others back off a little. I'd recommend taking off the instructions for the engineer's gain structure. If they're not going to get a mics pack just for you, it might be worth just speccing "vocal mic - SM58 or better" which will ensure a minimum of quality while allowing plenty of flexibility. ![]() The Sennheiser e935 is a big step up, for example. If you're at a point where sound providers are honouring your tech specs, it might be worth seeing if there are any other vocal mics you prefer. If you do have a preference for a particular vocal mic, put that on the channel list further down. With most engineers, if you don't spec a particular mic, that's exactly what you'll get (for better or for worse). They don't need to know that you want an SM58 on a boom stand on the stage plot. ![]() The engineer needs to know where to run power, monitors and XLR, and what needs to be on the end of the XLR (if anything). Edit: Updated version.Wasn't keen on that.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |